Matthew Hasty, a landscape painter and featured artist in this year’s Art of Science exhibition (opening Friday at Hyde Gallery), has no idea what cell mitosis looks like up close. His painting, The Echoes of Pneuma, would flop in any science fair, due to its imaginative take on cell walls (Hasty: “I used beef tripe for reference”) and inclusion of some antediluvian forms that seem, at best, misplaced in the cell world (Hasty: “...those parts kind of looks like Grover?”)
It’s a good painting, even if (actually, because) it makes a human cell look like a Dantean underworld. For the hard science side of things, there’s Dr. Sharon Frase, an electron microscopist whose research was Hasty’s inspiration.
Frase and Hasty will both be on hand at this Friday’s opening to answer questions and talk about their work.
This is the third year that St. Jude has put on the Art of Science, a project that partners local artists with St. Jude’s scientists. This year’s pull includes video installation, dance, clothing design, painting, sculpture, and graphic art.
It’s a week of oppositions in Memphis galleries: high-brow meets low-brow, the natural meets the plastic, and the old meets the new. At David Lusk Gallery, the paintings of Leslie Holt and sculptures of Wayne Edge are (respectively) cynical and stoic; hot pink and earthtoned. At Memphis College of Art, the main Rust Hall Gallery is devoted calming depictions of the Gulf Coast, while the neighboring Alumni gallery is full of Chloe York’s bright, cartoonish paintings. At Five in One Social Club, artists have revisited oldtime woodcut printmaking with new(ish) heavy machinery.
Memphis College of Art is displaying "Horn Island 29." The Rust Hall Gallery is packed out with student, faculty, and alumni work— all inspired by a May 2013 trip to Horn Island, off the Gulf of Mexico. This is the 29th year that MCA has sent a group to the island. The resulting works run the gamut from traditional painting, to cartoons, to metalwork and conceptual sculpture.
The best work this year comes from Slade Bishop, whose linocut prints of various forms of crustaceous life seem an appropriate reflection of the Island’s creative environs: meditative, simply executed, serious without being somber. Bill Nelson’s careful paintings and Adam Hawk’s fabricated steel-framed sculpture/painting also stand out.
Luke McDowell showed three enigmatic photographs that he shot at night from the actual inside of a dead jellyfish, using a waterproof camera. McDowell, a recent grad in illustration, said that he never expected to take photographs from the innards of sea life but, when he found the jellyfish on the beach, he thought, “Why not?” The results are as painterly as they are photographic, echoing a cross-media note that is repeated throughout the exhibition.