I'm grumpy. I can only make one show this weekend and there are three I really want to see.
The Hattiloo is working its way through the August Wilson canon, following a spectacular Fences, and a sloppy Piano Lesson with Joe Turner's Come and Gone, the second installment of the playwright's Pittsburgh cycle. Joe Turner looks at life during the "great migration" of the early 20th Century, when African-Americans abandoned the South in vast numbers looking for jobs and a better life in northern industrial cities.
A Delicate Balance, one of my favorite plays by Edward Albee opens on Theatre Memphis' Next Stage this weekend. Albee has been in heavy rotation lately, with productions of The Goat or Who is Sylvia, Seascape, and Who's Afraid of Virginia Woolf.
I'm probably going to pay a visit to Our Own Voice's Ephemera (You Can't Do that Again), a revival (of sorts) of one of this risk-taking company's most popular creations. The satiric comedy about the Memphis theater community was created to celebrate OOV's 10th season, and has been re-tooled for the 20th. Like the original it will have "music, dance, images, improv and social commentary."
There's also a theater critic named Sivad. I think it's an anagram. And a metaphor.
Spring Awakening is coming to the Orpheum for one night only, Saturday, November 13.
The critically adored musical is based on Frank Wedekind's 1891 coming-of-age play, which was banned in Germany (Yeah, Germany) for subject matter that included masturbation, abortion, suicide, homoeroticism, bondage and... well, let's just say it's an action packed indictment of a culture that keeps children ignorant of their sexual functions. In 2007 the musical received 11 Tony nominations and took home 8 statuettes.
It's been said that the musical adaptation is amoral, missing the political edge of Wedekind's original. Maybe so, but musicals have gone off in some interesting directions in recent years and Spring Awakening is one of the best.
Check here for ticket availability.
The MSO's new Music Director/Conductor Mei Ann Chen talks about the Russian composers showcased in this weekend's masterworks series, and about the long road to Memphis.
For more Mei-Ann check out last week's Memphis Flyer cover story.
Saturday, September 18 at the Cannon Center & Sunday, September 19 at GPAC Ticket information at http://www.memphissymphony.org/
The Wiz, which was originally scheduled to close on September 12th has been extended through September 19th according to the Hattiloo Theatre's Executive Director Ekundayo Bandele. I haven't seen it yet but did talk to director Tony Horne prior to the opening of Beauty's Daughter, a show he produced at the Evergreen Theatre. Although we mostly discussed Beauty's Daughter, Horne did address the challenges of staging The Wiz on the Hattiloo's tiny stage.