Few things are more noteworthy than seeing a photo of your coworker in the crotch of a 10-foot, papier-mache sculpture of David Bowie in progress. That coworker is, of course, Michael Donahue, one of our writers here at the Flyer. In fact, Mike McCarthy, creator of the sculpture, has covered Bowie in Flyers. We’re honored to say the least, but this sculpture is not in honor of us, but rather of a mostly unknown Memphis music history moment.
In 1973, while on his Aladdin Sane tour stop in Memphis, David Bowie visited the now-closed Memphis Academy of Art at the invitation of Dolph Smith, an instructor at the school. Smith had a watercolor he wanted to give the musician, which he happily accepted. Of this story, McCarthy says, he only heard glimmers during his time at the school in the ’80s, but it’s stayed with him ever since.
These days, McCarthy is running a nonprofit Sculpt Memphis, with the goal of preserving Memphis music history through sculpture. His Johnny Cash stands on South Cooper now, and, for the last year, he’s made statuettes of Howlin’ Wolf, Aretha Franklin, Memphis Minnie, Rufus Thomas, Muddy Waters, and the like. “Everybody loves them,” he says, “but [the question becomes] how do these things get to become like eight-foot-tall block sculptures. I think Memphis is extremely under-sculptured, under-statued.
“Maybe this is a little counterintuitive on my part,” he continues, “but I thought, maybe if I do a 10-foot tall David Bowie, it will draw attention also to the fact that there’s lots of Memphis music history, obviously closer to home, that people should be thinking about. If you had Bowie in Overton Park, that would be one more reason to go to Overton Park. If you had all these other sculptures in locales throughout the city, it could drive tourism, create international interest.”
For the Bowie statue, McCarthy chose to portray him in the “Tokyo Pop” jumpsuit by Kansai Yamamoto. Also, instead of one head, the musician has four atop a weather vane, with the four faces representing Bowie’s affinity for taking on different identities — from Ziggy Stardust to Halloween Jack. Why a weather vane? “I don’t know,” McCarthy says, “but I thought, okay, I’ll do a weather vane. Oh, weather vane rhymes with Aladdin Sane. Aladdin Sane Weather Vane.”
So far, McCarthy has been working on sculpting the piece since December with help from friends, like Terance Brown, who made the resin 3D image of Bowie’s face; Colleen Couch, who made the paper for the Bowie faces for the weather vane; and Geordan Lugar of Lugar Foundry, who created the A-frame inside the Aladdin Sane Weather Vane.
This Sunday, McCarthy will invite the public to begin the process of covering Bowie with clay at what he’s calling the Glam Rock Picnic. “The ultimate goal is to climb the ladder and start from the heart and start spreading the clay,” he says. “I want people to be involved.”
The Glam Rock Picnic will also have DJ Kitschy Kat spinning entire Bowie albums, a Bowie bar, Eat at Eric’s food truck, face painting by Kasey Dees, and vendors curated by Jana Wilson of Vintagia.
Glam Rock Picnic, Off The Walls Arts, 360 Walnut, Sunday, June 30, noon-5 p.m., $10.