Gangsta Boo and Al Kapone in 2019 (Photo: Courtesy Al Kapone)

Lil Wyte began listening to Gangsta Boo when she was in Three 6 Mafia. He was 12.

โ€œShe had the hardest verses,โ€ Wyte says. โ€œAbout demonic, crazy, insane shit. I was scared. It intrigued me because it was such a talented female rapper that could be that cutthroat on the microphone.โ€

Adds Al Kapone: โ€œVery few female rappers can hold their own with the male rappers.โ€

Boo was โ€œas strong as her male counterparts, but she didnโ€™t lose her femininity in the process. She was able to spar toe-to-toe with the male artists.โ€

Kapone and fellow rapper Wyte reminisced about Gangsta Boo, who died January 1st in Memphis.

Born in Whitehaven, โ€œGangsta Booโ€ was her stage name. Her real name was Lola Chantrelle Mitchell.

Wyte was hooked after he heard Boo on โ€œI Donโ€™t Love โ€™Emโ€ on Kingpin Skinny Pimpโ€™s album, King of da Playaz Ball. โ€œIt was just her word play,โ€ he says. โ€œHer lyrics and her cadence and the way she could talk so much crap, and she was only like 16, 17 at that time.โ€

Wyte met Boo in 2001 after he was signed to Three 6 Mafiaโ€™s label. โ€œShe was not too thrilled โ€” being honest โ€” about singing with a white artist. She felt like Three 6 Mafia had all they needed. Years later, we talked about it and joked about it and became friends.โ€

He was executive producer for Gangsta Boo and La Chat on the 2014 album, Witch. That album is โ€œprobably the hardest gangsta rap album to ever come out of Memphis. One of those gems thatโ€™s been overlooked. I love the album. Itโ€™s like they were playing tennis on it. Going back and forth. Boom. Boom. Boom. Just every single. Just killing every bit of it.โ€

Kapone met Boo in the mid โ€™90s. โ€œWhenever me and Boo, throughout the years, saw each other it was always love,โ€ he says. โ€œShe always showed me the utmost respect. She always gave me props. Let me know my early music inspired her and motivated her.โ€

He remembers her quoting the words to his song, โ€œLyrical Drive By.โ€ โ€œItโ€™s one of the first early Memphis rap songs that inspired a lot of the Memphis rappers. And she let it be known that song did it for her.โ€

They did a song together, โ€œGirls Like to Get Rich,โ€ in 2015. โ€œHer voice had a level of aggression, but it was totally feminine.

โ€œShe could rap slow styles or speed up rapid-flow style. Like really, really transition between those two styles with ease.โ€

Over the years, Kapone and Boo โ€œkept in touch through texts. We always commented on each otherโ€™s Instagram posts. Again, always giving each other love and props.โ€

Wyte and his wife, Nicole Lanshaw, kept in touch with Boo after she moved to Los Angeles about two years ago. โ€œShe did a lot of cool little podcasts with people out there,โ€ Wyte says. โ€œShe got more into the online scene.

โ€œWe were just together two weeks ago. Laughing, smiling, doing great. Everybody had money in their pockets. Everybody looked good, smelled good. She had that look of success. So for that to happen two weeks later was like, โ€˜Wow.โ€™โ€

Wyte wonโ€™t forget when he heard Boo died. โ€œAll of us have that last date on that calendar.โ€

He got a call while he and Lanshaw were driving back to Memphis from a concert. Lanshaw started crying, but Wyte held it together. โ€œNicole told me Gangsta Boo would call me a bitch right now if she saw me crashing.โ€

Kapone was at an airport when he heard the news. He believes Boo was about to get a โ€œwhole new resurgenceโ€ among artists. โ€œThe new generation of female artists was going to give her her props and let people know she was their influence and she supported them.โ€

These rappers include GloRilla and Gloss Up out of Memphis and Latto out of Atlanta. Kapone believes these artists feel, โ€œWeโ€™re here because of her.โ€

Those women were going to โ€œtake her to a whole new level. Give her a whole new resurgence.

โ€œThe writing was on the wall: 2023 was going to be a big year for Gangsta Boo. And to lose her the first day was unbelievable.โ€

Michael Donahue began his career in 1975 at the now-defunct Memphis Press-Scimitar and moved to The Commercial Appeal in 1984, where he wrote about food and dining, music, and covered social events until...