As Hollywood remakes go, The Taking of Pelham 123 isn’t a bad
candidate. A 1974 film about a subway hijacking co-starring Walter
Matthau and Robert Shaw, the original is terrifically entertaining but
probably just short of a classic. One of the definitive “New York in
the ’70s” movies, it’s not very well-known now, and its premise is
worth updating for the realities of modern New York โย the
technology, the terrorism fears, the new political and economic
paradigm, etc.
For most of its running time, filmmaker Tony Scott’s update does a
more respectable job than its overheated trailer suggests, helped along
by some good casting: Denzel Washington in Matthau’s role as the wry
everyman transit official manning the desk when the hijacking occurs;
James Gandolfini as the mayor; Luis Guzman in a too-small role as one
of the hijackers (the Martin Balsam role in the original).
Where the casting goes awry is with John Travolta’s awkward,
jittery, self-involved overacting as the chief hijacker, a character
the film invests with a preposterous, movie-world motivation. This new
Pelham similarly jumps the tracks in its final stretch, when the
film desperately and implausibly orchestrates a mano-a-mano showdown
between Washington and Travolta โย a finale that the more
taut, more realistic original didn’t indulge in.
Now playing, multiple locations

