photo: Michael Donahue Brennan Williams, John Pera, Joey Eddins, and Gavin Richards

Band name inspirations come from everywhere.

Take Switches.

โ€œI came up with the name Switches actually at 3 in the morning when I was in my room asleep and my lights were still on and I did not want to get up and flip the switch to turn it off,โ€ says bass player Gavin Richards, 17.

โ€œA lot of people think it has some really deep meaning when it doesnโ€™t at all.โ€

Switches, a punk/grunge band that also includes guitarist/lead singer John Pera, 18; guitarist Brennan Williams, 17; and drummer Joey Eddins, 17, formed March 5th. The group played its first big-name club, Hi Tone, July 1st.

Like older bands, Switches members are writing, rehearsing, thinking about recording, and dealing with nervousness on stage. But Switches is fresh. Itโ€™s hungry.

โ€œI didnโ€™t start singing until this year,โ€ Pera says. โ€œWe were all like, โ€˜Whoโ€™s going to do it?โ€™ I was like, โ€˜I guess I can.โ€™ Iโ€™d never done it before. I usually play guitar and stuff.

โ€œIt was kind of hard, but you kind of get used to it. Iโ€™d go in my car and yell a lot so it wouldnโ€™t hurt as much. Singing along to the radio. At first, I would almost cough up a lung after trying to get through it. It was like I was about to pass out. I still do that a little bit, but only at the end of the show.โ€

Richards got his first guitar five years ago. โ€œYouTube videos were my teacher,โ€ he says.

He and Williams got into Green Day at 13. โ€œThey sounded so different from what was on the radio. Powerful. Just a different sound.โ€

They watched Green Dayโ€™s 1992 videos.โ€œThey were pretty young. Like 16 and 17. And we were like, โ€˜We could do that. We could be just like them, play shows like them.โ€™โ€

Richards got serious about music and wanted to play shows. But, he says, everybody except Eddins, who joined after they formed Switches, is from Germantown. โ€œIn Germantown, there are not really any music venues to play at.

โ€œWe didnโ€™t know how to get our sound out there, to get us playing music to any crowd of some sort.โ€

That changed after he began driving and discovered โ€œthereโ€™s stuff to do everywhereโ€ in Memphis. โ€œEspecially for young people like us. 

โ€œI could go pretty much where I felt like going. A lot of local shows. I started seeing a lot of the music scenes there, and that changed the game entirely.โ€

After discovering Hi Tone and Lamplighter Lounge, Richards thought, โ€œWe can play here.โ€

โ€œMemphis was the place to go. Thatโ€™s where you have an audience no matter where you go. Memphis has a bunch of different scenes for a bunch of different music.

โ€œWhen I saw kids my age playing in bands to pretty decent-sized crowds and a lot of my friends were going to them, I really wanted to start playing shows like this.โ€

Richards began writing songs as a freshman. โ€œEverything changes going from middle school to high school. It brings a lot of things and emotions on you and you need an expressive outlet for it.

โ€œI was first dipping my toes into water as a songwriter, but I kind of didnโ€™t know where to go with it. Ideas would come up and I would write them down and nothing would ever come from it.โ€

They now have six originals. Richards wrote music and lyrics to โ€œCastle,โ€ their most popular song. โ€œThis girl gave me a Silly Bandz in the shape of a castle. I pretty much made it about that.โ€

Asked what sets Switches apart, Williams says, โ€œI think itโ€™s our energy. For sure. Weโ€™re all friends. And we got chemistry with each other. And we cooperate really well.โ€

โ€œI love that itโ€™s raw punk and itโ€™s so fun to play,โ€ Eddins says. 

The big picture for Switches? โ€œWeโ€™re just kind of playing it by ear right now,โ€ Richards says. โ€œPlaying shows. Having fun around Memphis. Maybe some trips to Nashville or something like that. So, nothing too crazy โ€” world domination or something like that.โ€ย 

Michael Donahue began his career in 1975 at the now-defunct Memphis Press-Scimitar and moved to The Commercial Appeal in 1984, where he wrote about food and dining, music, and covered social events until...