Tuesday, August 20, 2013

Session Notes: Patrick Dodd Trio at Ardent

Posted By on Tue, Aug 20, 2013 at 9:00 AM

Beale Street mainstay and contender for TV’s The Voice Patrick Dodd is back in Memphis and recording tracks for a new EP of thematic songs at Ardent Studios. The dreadlocked blues guitar phenom is looking to explore a smaller form than the traditional album as an outlet for his trio and his meal ticket: his voice.

With his new burst of TV-derived notoriety, Dodd could easily have upped the ante with a full album and a larger-format band. But he seems confident and content to move in the opposite direction. Asked why he isn’t going for bigger things, Dodd looks at his career with a sense of humor born of relentless gigging on Beale and throughout the region.

“Everybody wants to get paid,” he joked, going on to mimic the lines he must have heard a million times. “It’ll be good exposure. I know you’re only 40.”

Patrick Dodd relaxes after nailing his overdubs.
  • Joe Boone
  • Patrick Dodd relaxes after nailing his overdubs.

But in all seriousness, his band is in a better place than before his run on the popular NBC primetime singing contest in which he sang a convincing “Walking in Memphis” before his elimination.

“It absolutely helped,” said Landon Moore, Dodd’s bassist who with drummer Harry Peel rounds out the trio. “But I’m glad to be doing what we were doing before he left.”

What the trio does is provide a solid blues-rock foundation for Dodd’s gutsy, powerful voice. Dodd was recording a few overdubs and made quick work of them; his Paul Rogers-like voice needing very little fuss from engineer Jeff Powell.

Powell, longtime Ardent veteran, is a major proponent of the shorter-form approach and sees more clients opting to focus on fewer songs with more preparation beforehand. The trio was in the studio for one long day cutting two Dodd originals: “End of the Line” and “I’m Gone.”

“The one-day thing works if the band is ready to go. We’ll mix this tonight,” Powell said.

The songs mark a major development in Dodd’s songwriting and arranging since his last full-length recording, Future Blues. The new material has a wider breadth due to rolling chord changes that add harmonic richness to the recordings. Dodd hopes to a series of five-song concept recordings that are thematically woven together with lyrics and artwork. “I’m Gone” will serve as a single for the first new collection, which, at this pace, could be ready to go in as little as six weeks.


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