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Lights! Camera! Nutcracker!
Pivot is a common term in dance, but at Ballet Memphis, it’s taken on a crucial new meaning. In these days of...
Ballet Memphis Breathes New Life Into Nutcracker
It looks like Christmas does come twice a year. With theaters closed and limited opportunities for in-person...
Et tu, Brute?: Tennessee Shakespeare’s Julius Caesar
It has been said that Shakespeare’s Julius Caesar is a play without villains, and that makes its tragedy all the more...
Hamilton in Memphis: A Call to Arms
Hamilton opens at the Orpheum this week
Legends & Outlaws: Theater Review
Last weekend, Memphis exploded with so much theater, there was no way to take it all in. Shows opened at Circuit...
The Parchman Hour and Cabaret make fine companions.
The Parchman Hour is a musical without a band. Stomping feet and pounding chests provide rhythm. Accompanying music...
Theatre Memphis stages a screwball classic.
It would seem that Kaufman & Hart’s barb-laden comedy, The Man Who Came to Dinner, is woven into the tapestry of...
Shakespeare meets the Beatles, 1984 meets 2019.
If you want some measure of just how good William Shakespeare was on his best days, look no further than the New Moon...
Friends & Foes
Philip Ridley’s Radiant Vermin is a comedy about a newlywed couple discovering the dream home they’ve always wanted...
On stage: Sweat and Tuck Everlasting.
If you really want to understand what went wrong in America, turn off Fox News. Turn off MSNBC and CNN, too. Also,...
Memphis Public Libraries’ Five Fridays of Jazz Returns Tonight
Shower With Hitchcock at the Time Warp Drive-In
Corker Looks Back — and Forward: Tried to “Count”
Tom Lee Park Funding Hits Milestone
Weekly Virus Numbers Slightly Higher But Stable