Claire Fullerton's <i>Mourning Dove</i>

Claire Fullerton's Mourning Dove

Claire Fullerton’s Mourning Dove.
One could put together a mighty fine shelf of novels set in Memphis. To name just a few: September, September by Shelby Foote. Good


Christine Dalcher's <i>Vox</i>

Christine Dalcher's Vox

Christina Dalcher’s Vox.
Sixteen-thousand words. That's how many words, on average, most people speak in a day. Sixteen-thousand chances to say "I love you," "I'm sorry," or

Inman Major's<i> Penelope Lemon: Game On!</i>

Inman Major's Penelope Lemon: Game On!

Inman Majors’ Penelope Lemon: Game On!
My esteemed colleague and friend, the late Leonard Gill, in these pages, said this about an earlier novel by Inman Majors: "Until Wonderdog's climactic

T. Sean Steele’s <i>Tacky Goblin</i>.

T. Sean Steele’s Tacky Goblin.

Just when you thought absurdist, humorous fiction was dead, along comes this American Raymond Queneau, T. Sean Steele, with this, his first novel (actually

Tim Winton’s <i>The Shepherd’s Hut</i>.

Tim Winton’s The Shepherd’s Hut.

Let's talk about voice in fiction. Sometimes what's meant by voice is the author's style. Think of Hemingway, Joyce, Nabokov, Faulkner, Graham Greene, Virginia

Caryl Phillips’ <i>A View of the Empire at Sunset.</i>

Caryl Phillips’ A View of the Empire at Sunset.

Jean Rhys is one of my favorite writers. Her early autobiographical novels are singular depictions of marginalized lives, the lives of women in a



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Claire Fullerton's Mourning Dove

Eva Marie Everson: You're right there! She is the real deal. I knew that from the absolute second I read Word One. I »

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